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Where the Words Have Gone . . .

This is a response to a writers prompt that I found particularly apropos at this moment in time, when I feel I have been suffering from not writing. The prompt is from How to Tame a Wild Tongue by Gloria Anzaldua, who asks you to define your “native tongue,” the voice by which you speak–or, in my case, write.

There are other tongues we use in other situations. Sometimes they don’t get along with each other. This is their story . . .

I find my native tongue when I’m writing most freely. When I feel I have nothing to say, consciously, but the words flow from my fingers faster than I can barely keep up with. This is when I feel like I am but a channel for my writing, as if I am a secretary for a Universe of Creativity that I have the privilege of serving, when I can.

This is also the part of me I miss the most when I have to switch “tongues,” forced by my classes to write essay, or delve into that very PhD-ness of regurgitated research writing that I so despise, where the beautiful pictures in my head dim and go out in a fizzle of inauthenticity. I feel as if creativity is at an all time low at these times, but since I’m forced to do it by instructor decree, I put myself to it—after a spate of severe procrastination, during which I can do no writing at all.

At these times, I feel as if my mind is forcing itself into a place, changing its complete paradigm, to become something else, something foreign. If I try to write in my “native tongue” during this time, I’m conflicted by the stress of the deadline to write in that strange unwanted place instead. Words of my own choosing will not come, my mind is still reeling attempting to spin up enthusiasm to do this horrible bidding. Instead of simply getting it over with, the horror of writing from this unknown place makes me find ways to hide from it, to do anything but that. Only sheer panic and a deadline less than a day hence will force me to get through that gauntlet and get the work done, only to spend days recovering my voice, my tongue again, though it feels diminished from the stress of it.

My native tongue is light, silly, hopefully funny to others—if I can manage it. Often I need to find others’ voices, funny light voices to read in print to remind me of my own, to give me dungeonpermission to write in my own voice again, a voice I’ve hidden away safely in a dungeon until the natural cataclysm of the essay or research paper has passed.

Seeing it this way I think it must be a sensitive thing, something I must protect at all cost. I would have thought this would bring on castle-thick stone walls of writers block that I would have to scale to … but I’ve never allowed myself to believe in writers’ block. It’s more a writers’ avoidance, avoidance of the chair in which I sit to write. I know once I sit there my fingers will find something to do. But will it be worthy?

That worthiness to write, to channel the creativity I most yearn for … THAT is the thing that will keep me from sitting down. From starting.

I am in that place now. I will make a pilgrimage to the library, I will find a book by Jenny Lawson or David Sedaris and let them lead me back to my native tongue, that silly place where my creativity resides. I will lock my essayists brain in the dungeon instead, where it belongs.

The creative universe calls to me.

 
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Posted by on May 6, 2015 in Blog, Memoir

 

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Foibles: Speech, uhm, Impeddlement

Welcome back to Foible Monday!

This one is about a thing I call my “speech impeddlement,” because certain words seem to jump on a bicycle and pedal away whenever I go looking for them. I’ll catch them yet . . . then they’ll be sorry. Oddly, it only seems to happen when I’m speaking–not when I’m writing.

Apparently my fingers are smarter than my mouth (big surprise there . . . not).

Most of my friends already know about this. They laugh and laugh and laugh. Okay, maybe I just imagine they do on the inside. I admit it is pretty weird. I don’t want to talk about it . . . so I’ll type it instead. It’s safer that way . . .

Word Finding D— … uhm

Disorder.

swiss-cheese-brain-150x150If most human brains resemble a glob of overcooked spaghetti left to drain too long, then mine more resembles swiss cheese: it has big round holes in it that words fall into. There aren’t that many holes, though I’ve never tried to count, but there’s no telling which words will trip and fall into them.

The first holed-word I remember not remembering is “backhoe”. I know right? It’s not like this is a word I use often in daily life, but when I saw one parked in my neighborhood one day, all I could tell you was that it was a big yellow hole digging machine that began with a “B”.

This is another weird side-effect of this phenomenon: I can almost always tell you the first letter and a nice definition of the lost word but, for the life of me, I cannot tell you the word itself.

In programmer-ese: It’s an indexing problem.

The latest victim seems to be “passport.” I only know this from a curious teenaged member of my family–at the time–who periodically quizzed me on the green and blue bird with the amazing tail feathers that begins with a “P”, or the place where they put dead bodies that begins with a “G”, or the sparkly round things sewn on dresses that begin with an “S” … or that thing you need to cross an international border that begins with a “P”, which apparently I have already forgotten.

All this good-natured quizzing actually helped pull an abused word or three out of its hole into the light of day. I can remember that big yellow machine now, sometimes. But I’ve found as soon as I help one distressed word out of its hole, some other poor hapless word will fall into it.

Memories …

If only my brain holes kept themselves to my speech centers. Occasionally an entire memory falls victim to this indexing problem, as well. Take a common, ordinary occurrence we both partook in the other day, such as meeting an interesting person at a local park. hdd-crashingA few days later you may wax poetically about this chance meeting and notice my brow furrowing. You’ve caught me attempting to query my index.

Another memory has gone AWOL.

But if you happen to mention the strange rutabaga earrings she was wearing that day—bing, flop, “index match complete,”  bonk, ping!—suddenly it all comes flowing back in HD Technicolor with special features and deleted scenes!

Don’t ask me to explain it, as if it made any sense to me; especially since I’d probably lose a word or two in the process. I’m not terribly motivated to try to fix it anyway, because it keeps my friends amused.

 
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Posted by on March 9, 2015 in Blog, Memoir

 

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